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I Can't Stand Up Alone

from Pretty Bird by Kathy Mattea

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    Hailed by The Washington Post as “one of Nashville's finest song interpreters,”
    Kathy Mattea has enjoyed the kind of success many artists only dream of: two
    GRAMMY wins, four CMA Awards, four #1 country singles, and five gold albums
    (plus a platinum collection of her greatest hits). The dream almost ended,
    though, when Mattea entered her 50s and began to find her voice changing.
    What followed was a three year journey through life challenges and vocal
    glitches that she describes as her “dark night of the soul,” a trying time of
    personal anguish and professional uncertainty that threatened to silence her
    permanently.
    “The hardest thing was facing the question of whether I would still be able to
    sing well enough to enjoy it. That was the acid test for me, and I had to be
    willing to walk through a process that bumped me up against the very real
    possibility that, in the end, the answer might be “No.”
    Instead, Mattea dug in with a vocal coach, re-committed to her music, and
    emerged with the most poignant album of her career, “Pretty Bird.” Working
    with her old friend, music roots wizard Tim O’Brien, producing, “Pretty Bird” is
    a chronicle of her journey, song by song, back to singing for the sheer joy of it.
    It’s an emotional, moving collection, one that draws its strength not only from
    Mattea’s touching performances, but also from her uncanny ability to weave
    seemingly disparate material into a cohesive whole. From a playful take on
    Oliver Wood’s “Chocolate On My Tongue” to a tender rendition of Mary
    Gauthier’s “Mercy Now,” from a British traditional to a Bobbie Gentry classic,
    these are the songs that helped Mattea reclaim her voice, and she inhabits
    each as fully as if it were her own.
    Exquisitely arranged and delivered with the kind of subtlety and nuance that
    can only come from a lifetime of heartbreak and triumph, ‘Pretty Bird’ is a
    title Kathy Mattea inhabits quite literally, and it’s a welcome reintroduction to
    one of country and Americana music’s most enduring and beloved figures.

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lyrics

One of these days I'm gonna take a vacation
To a quiet and a peaceful shore
And I'll cool my feet in those crystal waters
Where I won't have to work anymore

'Cause my burden has got a little heavy
Till I can't stand up all alone
I must lay my head down on one strong shoulder
'Cause I can't stand up all alone

No, you can't stand up all by yourself
You can't stand up alone
You need the touch of a mighty hand
You can't stand up alone

4X

And trouble, I have seen trouble
All around my door
Go away and leave me old man trouble
I don't want your trouble any more

No, you can't stand up all by yourself
You can't stand up alone
You need the touch of a mighty hand
You can't stand up alone

Then a voice came down just like thunder
And a light all around me shone
It said, Get up child, take hold of my hand
You can't stand up all alone

Well you can't stand up all by yourself
You can't stand up alone
You need the touch of a mighty hand
You can't stand up alone

(INST)

Well my burden has gotten so heavy
Till I can’t stand up all alone
Gonna go and find me one strong shoulder
I can’t stand up alone

Well, you can't stand up all by yourself
You can't stand up alone
You need the touch of a mighty hand
You can't stand up alone

You know you can't stand up all by yourself
You can't stand up alone
You need the touch of a mighty hand
You can't stand up alone

You can’t stand up alone
You can’t stand up alone
You can’t stand up alone

credits

from Pretty Bird, released September 7, 2018
I CAN’T STAND UP ALONE
(Martha Carson)
Marpat Music Publishers (BMI)

Jim Brock: Percussion
Bill Cooley: Acoustic Guitar
Tim O’Brien: Cello Banjo, fiddle
Charlie McCoy: Bass Harmonica
Backing Vocals: Suzy Ragsdale, Odessa Settles, Calvin Settles, Tim O’Brien

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Kathy Mattea Nashville, Tennessee

Twice named Female Vocalist of the Year by the Country Music Association, Kathy Mattea is among the most successful women in the genre’s history, yet her creative spirit has led her to explore musical territory well beyond its confines. Her recent recordings have intertwined Celtic, gospel, and bluegrass influences with the folk and acoustic music that have served as her artistic anchor. ... more

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